Longjing
China’s best-known green tea and the reference case for pan-firing, pressed flat against a hot wok into distinctive smooth blades. The character is chestnut-sweet and toasty rather than marine, which is most of what separates Chinese green tea from Japanese.
Character
Nutty and sweet with a soft body and very little grip. Where Japanese greens go marine and savoury, Longjing goes toasted and sweet — the clearest single illustration of what pan-firing does that steaming does not.
- Flavour
- Nutty, Sweet, Vegetal
- Aroma
- Toasted, Orchid
- Mouthfeel
- Light, Smooth
- Complexity
- Moderate
- Notes
- roasted chestnut, toasted rice, orchid, fresh beans
- Aftertaste
- Sweet, nutty and notably clean.
Moderate intensity: noticeable weight or grip, but neither dominates the cup.
Provenance and production
- Origin
- China
- Cultivar
- Longjing 43, Qun Ti Zhong, Longjing Changye, Zhongcha 108
- Oxidation
- Unoxidised
- Harvest
- First flush
- Processing
- Withering → Kill-green (fixation) → Drying
Authenticity: Far more tea is sold as West Lake Longjing than that small protected area could produce. Longjing made elsewhere in Zhejiang is legitimate tea under a broader name, and is frequently very good; the price difference between it and the protected designation is very large.
Where it grows
The districts recorded against this tea, all of them in China. Elevation is given as the band the district is recorded at, not a measurement of the garden this leaf came from.
- Meijiawu — 50–350 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
- Shifeng (Lion Peak) — 100–400 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it. A hill, not a mountain. The relevant differences within West Lake are aspect, soil depth and drainage over a range of a couple of hundred metres.
- Xihu (West Lake) — 30–400 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it. The gardens are low hills rather than mountains; Longjing’s reputation rests on soil, aspect and processing rather than altitude.
The plants it is made from
Cultivar is the level below the variety group: a named selection of the tea plant, propagated as clones from one parent. Most consumer writing stops at the country and the category, which leaves out the layer that decides how the leaf behaves before anyone picks it.
- Longjing 43 — Camellia sinensis var. sinensis
Early budding, uniform, high-yielding and well suited to the flat pressed shape. Its aroma is cleaner and more immediate than the older Qun Ti Zhong population, which is richer but later and far less uniform.
- Qun Ti Zhong — Camellia sinensis var. sinensis
Deep roots, late budding, variable leaf. In Longjing and in Wuyi it commands a premium over selected clones despite yielding less, because the mixture of plants gives a layered cup no single clone matches.
- Longjing Changye — Camellia sinensis var. sinensis
Longer leaf and later budding than Longjing 43. The later budding is the commercial problem: in a market that pays most for pre-Qingming tea, a few days of lateness is enough to keep a cultivar marginal.
- Zhongcha 108 — Camellia sinensis var. sinensis
Close enough to Longjing 43 in the cup that most drinkers will not separate them; the difference matters to growers rather than to readers.
How it is made, in order
Read top to bottom: the list is the production sequence, and the sequence is what makes this tea its category rather than a neighbouring one. The same leaf from the same bush becomes a green tea or a black tea depending on where the heat falls relative to the bruising, so reordering these steps would not vary the tea — it would produce a different one.
- 1. Withering — Reduces water content, softens the leaf for later handling, and permits early enzymatic and aromatic development.
- 2. Kill-green (fixation) — Denatures polyphenol oxidase and related enzymes, arresting enzymatic oxidation.
- 3. Drying — Reduces residual moisture to a level at which enzymatic, microbial and oxidative change effectively stops, stabilising the leaf for storage.
The route it is made by
The steps above are what happens; this is the named production route they belong to, with the other teas made the same way.
- Chinese pan-fired green tea — Heat first, shape second. The route puts fixation at position three, before the leaf has been ruptured at all, and everything that follows happens to a leaf that has stopped changing colour.
Where it is practised: Practised across almost every Chinese producing province, and in Korea, Vietnam and increasingly in Japanese kamairicha production, where it is the minority method.
What its chemistry turns on
Every true tea contains caffeine, catechins and amino acids, so listing them would say nothing about this one. What differs is what the processing above does to them — and that is the same list of steps, read for its chemistry instead of its craft.
The compounds that substantially decide what this tea is: Catechins, EGC (epigallocatechin), EGCG (epigallocatechin gallate), Epicatechin, Free amino acids, Leaf lipids, Theogallin.
- Withering
- creates Geraniol
- creates Linalool
- creates Linalool oxides
- creates Theasinensins
- raises Methyl salicylate
- raises Nerolidol
- raises Soluble sugars
- lowers cis-3-Hexenol
- lowers Green-leaf volatiles
- lowers Leaf lipids
- Kill-green (fixation)
- locks 2-Phenylethanol
- locks Anthocyanins
- locks Catechins
- locks cis-3-Hexenol
- locks Green-leaf volatiles
- locks L-theanine
- locks Leaf lipids
- locks Methylated catechins
- locks Theogallin
- Drying
- creates Strecker aldehydes
- raises Beta-damascenone
- raises Thearubigins
These are statements about the leaf and the cup. What any of these compounds does in a body is a different kind of question and is not answered here or on the pages linked from it.
History
Associated with the Qianlong emperor, who is said to have designated eighteen bushes at Hugong Temple as imperial tribute in the eighteenth century. The bushes are a tourist site and the story is traditional; what is verifiable is that Longjing has been a named tribute tea for several centuries.
Widely repeated legend — Repeated very widely and not evidenced. Recorded because the story is itself part of the culture, not because it happened.
Brewing
Western brewing (teapot or mug)
1.5–2.5 g/100 ml · 75–85 °C · 1 authored infusion
Needs: Western teapot
Grandpa style
0.5–1 g/100 ml · 75–85 °C · 1 authored infusion
Cold brew tea
1–2 g/100 ml · 4–10 °C · 1 authored infusion
Needs: Glass teapot
Gongfu brewing (gaiwan)
3–4 g/100 ml · 75–85 °C · 4 authored infusions
Needs: Gaiwan
Flash-chilled iced tea
2.5–4 g/100 ml · 75–85 °C · 1 authored infusion
Needs: Glass teapot
No caffeine estimate is authored for this tea. TeaHQ does not infer one from its category, because category predicts caffeine poorly — matcha and gyokuro carry more than many black teas.
Vessels this tea suits
Recorded against the tea rather than against a brewing style, because the vessel does not always follow from the method — a whisk needs lateral room whatever the schedule says, and compressed leaf needs a pick before any method applies at all.
- Glass teapot — Traditionally brewed in a tall glass so the flat blades can be watched standing and sinking — the vessel is part of how the tea is appreciated.
- Vacuum canister — Less air against the leaf is a real and modest gain; a domestic pump lid does not produce anything close to a true vacuum.
- Pewter tea caddy — Pewter is soft enough to be turned to a close tolerance, so a well-made caddy seals against air far better than a snap-on tin — which matters most for a delicate spring green.
Common mistakes
- Boiling water, which turns the sweetness sharp
- Buying on the West Lake name at a price that could not be genuine
When the cup goes wrong
Written against green tea as a category rather than against this tea in particular, and worked back from the symptom to the likely causes in order. 37 apply to the category; the first 6 are shown.
- I bought a big bag to save money and it was stale before I finished it — A large quantity bought at a good unit price faded well before it was drunk, so the saving turned into waste.
- I bought a water filter for my tea and it changed nothing — A filter jug or tap filter was bought specifically to improve the tea, and the cup tastes the same as it did before — with the same dullness, the same film and the same scale in the kettle.
- I have too many teas open and most of them are going stale — A dozen or more packets are open at once, three or four get drunk regularly, and the rest fade quietly on the shelf until they are thrown away.
- Leaves stick to the cup, the pot and my teeth — Fine leaf clings to the inside of the vessel, comes through into the cup, and ends up in the last mouthful.
- My bamboo whisk is losing tines — Fine bamboo tines snap off during whisking and turn up in the bowl, and the whisk feels stiff and splayed.
- My cold brew tastes like faintly flavoured water — After a night in the fridge the jug is pale and tastes of very little, with none of the sweetness cold brewing is supposed to give.
If you like this
Grouped by why they were suggested, strongest reason first. Nothing here is a blended score — a suggestion appears under the best reason that exists for it, and never under a weaker one as well.
Editorially linked
Someone wrote down why these two belong together. The note below is theirs.
- Korean green tea
Both are pan-fired rather than steamed, giving the chestnut-and-toast profile that separates them from Japanese green tea.
- Ujeon
Pan-fired, chestnut-sweet and delicate. The Korean tea is the closer analogue to Longjing than any Japanese green.
- Bi Luo Chun
Both pan-fired Chinese greens. Bi Luo Chun is more fragile and more fruity, and wants leaf dropped onto poured water rather than the reverse.
- Duyun Mao Jian
If West Lake Longjing is out of budget, a Guizhou green gives comparable pan-fired character without the protected-origin premium.
- Kamairicha
Japan’s pan-fired exception, then China’s benchmark for the same technique. The resemblance is the point and it surprises most people.
- Wu Niu Zao
The imitation, then the tea. Both are flat-shaped Zhejiang greens; only one has the chestnut aroma, and knowing that is worth money each spring.
Similar sensory profile
Shares controlled flavour, aroma and mouthfeel descriptors. A looser match — two teas can share descriptors and still taste nothing alike.
- Bai Ji Guan
Shares 5 descriptors with Longjing: sweet, nutty, light, smooth and orchid.
- Hojicha
Shares 5 descriptors with Longjing: nutty, sweet, light, smooth and toasted.
Written comparisons
Where TeaHQ has set this tea against another in full, rather than deriving the comparison. Each one is a written page with the points of difference argued out.
- Chinese vs Japanese green tea — The largest single split inside green tea, and it is not about country. It is about whether the leaf was fixed with steam or with a hot pan. Put the two side by side
- Green tea styles compared — Five green teas spanning steamed and pan-fired, shaded and unshaded, roasted and fresh. The fixation method splits this category more than any origin does. Put the two side by side
- Jasmine tea vs green tea — Jasmine tea is green tea with an extra process, and the process is more involved than most people assume. Good scenting takes days of layering with fresh blossom, and the flowers are removed afterwards. Put the two side by side
- Longjing vs Anji Bai Cha — Two flat-leaf Zhejiang green teas that look similar and taste quite different. One difference is shaping; the other is a cultivar mutation that changes the chemistry of the leaf. Put the two side by side
- Longjing vs Bi Luo Chun — The two most famous Chinese green teas, both from the lower Yangtze, both hand-shaped, and shaped in opposite directions. Put the two side by side
- Longjing vs gunpowder — Two pan-fired Chinese green teas at opposite ends of the market, and a useful demonstration that shaping is a decision about purpose rather than quality. Put the two side by side
- Sencha vs Longjing — The benchmark green tea of Japan against the benchmark green tea of China. One processing decision in the first hours after picking accounts for nearly everything that separates them. Put the two side by side
- Silver Needle vs green tea — Both are pale and delicate and they are made by opposite philosophies — one adds a decisive step, the other omits every step it can. Put the two side by side
Where this tea is drunk
Documented practices that name this tea. Each page describes what is done and by whom, and separates what is recorded from what is repeated.
- Chinese tea house culture — The tea house as a social space rather than a place to drink tea — somewhere to conduct business, settle disputes, hear opera, play mahjong and pass an afternoon, with the tea as the ticket rather than the point.
- Everyday Chinese tea: the flask, the jar and the leaf left in — How most tea in China is actually drunk — loose leaf dropped into a lidded glass or a vacuum flask, topped up with hot water all day, never decanted and never timed.
- Imperial tribute tea — The system under which designated gardens supplied tea to the Chinese imperial court, and the long shadow it casts over how Chinese teas are ranked and marketed today.
- Jing cha — serving tea as an act of respect — The Chinese family ritual in which tea is served kneeling or with both hands to elders and parents-in-law — at a wedding, at a new year, at an apology — and the cup is accepted or not accepted in front of everybody.
- Longjing and the spring tea season — The cultural weight attached to China's most famous green tea, and to the narrow spring window in which the most prized picking happens — a seasonal event with its own economics and its own anxieties.
- Tea as a gift in China — A very large share of expensive Chinese tea is bought to be given rather than drunk — which means the packaging carries the message, the price has to be legible without opening the box, and the manufacture has been pulled toward what a gift needs rather than toward what a cup needs.
- The Ming loose-leaf reform — An imperial decision at the end of the fourteenth century to stop accepting compressed cake tea as tribute — after which Chinese tea became loose leaf steeped in a vessel, and almost every category and utensil now in use began to take its modern shape.
Journeys featuring this tea
- Exploring green tea — Someone who wants to understand green tea rather than tolerate it.
- Discover Chinese tea — Someone who wants the breadth of the country tea came from.
Guides covering this tea
- What is green tea?
- Exploring Chinese tea styles
- Why green tea tastes grassy
- Why green tea is the hardest category to make well
- How much tea to buy at once, given everything storage cannot fix
- Geographical indications as an economic instrument
- What a freezer actually does to tea, including the defrost cycle nobody mentions
- Reading a Chinese tea label, and the fields that carry weight
- Roasted, nutty, chestnut and cocoa: the aromas heat makes
- How the famous-name teas acquired their names