Menghai shou pu-erh
Ripe pu-erh made in the Menghai style, the reference point against which most other shou is described. Menghai’s factory is where wet-piling was industrialised in the 1970s, and its house character — thick, clean, sweet and only moderately earthy — became the standard the technique aims at.
Character
Thick and smooth with a clean sweetness, and much less of the fishy pile note that afflicts poorly made or too-young shou. Rest is the main variable: a three-year-old cake is a different drink from a fresh one.
- Flavour
- Earthy, Chocolate, Woody, Sweet
- Aroma
- Caramelised
- Mouthfeel
- Full bodied, Smooth, Rich
- Complexity
- Moderate
- Notes
- damp earth, dark chocolate, dried date, old wood
- Aftertaste
- Thick, sweet and clean, without any drying.
Moderate intensity: noticeable weight or grip, but neither dominates the cup.
Provenance and production
- Origin
- China
- Region
- Menghai, Xishuangbanna
- Cultivar
- Yunnan Da Ye Zhong
- Oxidation
- Not applicable
- Post-fermentation
- Microbial wet piling
- Harvest
- Spring
Where it grows
The districts recorded against this tea, all of them in China. Elevation is given as the band the district is recorded at, not a measurement of the garden this leaf came from.
- Menghai — 1000–1700 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
- Xishuangbanna — 700–2000 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
The plants it is made from
Cultivar is the level below the variety group: a named selection of the tea plant, propagated as clones from one parent. Most consumer writing stops at the country and the category, which leaves out the layer that decides how the leaf behaves before anyone picks it.
- Yunnan Da Ye Zhong — Camellia sinensis var. assamica
Very large leaves, high in the compounds that make young sheng bitter and that later provide the substance for decades of ageing. The same material makes a notably sweet, thick black tea when fully oxidised.
How it is made, in order
Read top to bottom: the list is the production sequence, and the sequence is what makes this tea its category rather than a neighbouring one. The same leaf from the same bush becomes a green tea or a black tea depending on where the heat falls relative to the bruising, so reordering these steps would not vary the tea — it would produce a different one.
- 1. Withering — Reduces water content, softens the leaf for later handling, and permits early enzymatic and aromatic development.
- 2. Kill-green (fixation) — Denatures polyphenol oxidase and related enzymes, arresting enzymatic oxidation.
- 3. Rolling and shaping — Ruptures cell walls to expose leaf juices, and forms the leaf into the shape it will hold through drying and storage.
- 4. Sun-drying (shai qing) — Reduces moisture to a storable level at low temperature, leaving residual enzymatic and microbial activity in the leaf.
- 5. Wet piling (wo dui) — Supports microbial and thermal transformation of the finished leaf, converting harsh young character into a darker, softer profile.
- 6. Compression — Reduces the leaf’s exposed surface area and fixes it in a stable physical form, slowing and evening out subsequent change.
The route it is made by
The steps above are what happens; this is the named production route they belong to, with the other teas made the same way.
- Shou pu-erh — The sheng route for five steps, and then a fork: the maocha is wetted, heaped and fermented by living organisms for weeks before anything is pressed.
Where it is practised: Yunnan, and the technique is comparatively modern — conventionally dated to the second half of the twentieth century and developed to approximate in weeks what raw material takes decades to do. Related piling processes elsewhere in China are older and are separate operations rather than versions of this one.
What its chemistry turns on
Every true tea contains caffeine, catechins and amino acids, so listing them would say nothing about this one. What differs is what the processing above does to them — and that is the same list of steps, read for its chemistry instead of its craft.
The compounds that substantially decide what this tea is: Theabrownins.
- Withering
- creates Geraniol
- creates Linalool
- creates Linalool oxides
- creates Theasinensins
- raises Methyl salicylate
- raises Nerolidol
- raises Soluble sugars
- lowers cis-3-Hexenol
- lowers Green-leaf volatiles
- lowers Leaf lipids
- Kill-green (fixation)
- locks 2-Phenylethanol
- locks Anthocyanins
- locks Catechins
- locks cis-3-Hexenol
- locks Green-leaf volatiles
- locks L-theanine
- locks Leaf lipids
- locks Methylated catechins
- locks Theogallin
- Rolling and shaping
- converts Leaf lipids
- creates Theaflavins
- raises Pectins
- Sun-drying (shai qing)
- raises Beta-ionone
- lowers Carotenoids
- Wet piling (wo dui)
- converts Catechins
- creates Gallic acid
- creates Theabrownins
- raises Organic acids
- raises Pectins
- lowers ECG (epicatechin gallate)
- lowers Soluble sugars
These are statements about the leaf and the cup. What any of these compounds does in a body is a different kind of question and is not answered here or on the pages linked from it.
History
The Menghai Tea Factory was one of the two sites where wet-piling was developed in the early 1970s, and its recipes became the reference standard for ripe pu-erh. Cakes are still identified by factory recipe numbers, which is unusual in tea and normal here.
TeaHQ synthesis — TeaHQ's own reading of well-attested general knowledge, with no single source behind it.
Brewing
Gongfu brewing (gaiwan)
5–7 g/100 ml · 98–100 °C · 6 authored infusions
Needs: Gaiwan
Gongfu brewing (Yixing pot)
5–7 g/100 ml · 98–100 °C · 6 authored infusions
Needs: Yixing teapot, Fairness pitcher (cha hai), Tea tray (cha pan)
Western brewing (teapot or mug)
1.5–2.5 g/100 ml · 95–100 °C · 1 authored infusion
Needs: Western teapot
Boiling aged and dark tea (zhu cha)
0.8–1.5 g/100 ml · 98–100 °C · 1 authored infusion
Needs: Kettle, Brewing saucepan, Tea strainer
No caffeine estimate is authored for this tea. TeaHQ does not infer one from its category, because category predicts caffeine poorly — matcha and gyokuro carry more than many black teas.
Common mistakes
- Skipping the rinse
- Judging a freshly made shou, which needs a year or two of rest
When the cup goes wrong
Written against dark tea and pu-erh as a category rather than against this tea in particular, and worked back from the symptom to the likely causes in order. 15 apply to the category; the first 6 are shown.
- Every infusion in my gongfu session tastes the same — The cups are pleasant and interchangeable, with none of the change from steep to steep the method is supposed to show.
- My clay pot has changed how the tea tastes — A tea that tasted right in porcelain comes out muted, differently scented, or carrying something that was not in the leaf.
- My first infusion is always the worst one — The opening cup is thin, dusty or flat, and the second is markedly better — consistently, across different teas.
- My gaiwan is too hot to hold — The rim and lid become uncomfortable within seconds, the pour is rushed, and tea ends up on the tray.
- My gongfu tea is bitter even at five seconds — The timer says five or ten seconds and the cup is over-extracted anyway, with the later infusions dropping off sharply.
- My pu-erh cake will not break apart cleanly — The cake resists the pick, then gives way suddenly into powder and fragments rather than intact leaf.
If you like this
Grouped by why they were suggested, strongest reason first. Nothing here is a blended score — a suggestion appears under the best reason that exists for it, and never under a weaker one as well.
Editorially linked
Someone wrote down why these two belong together. The note below is theirs.
- Lao Cha Tou
From the most forgiving dark tea format to the reference ripe pu-erh. Nuggets are almost impossible to over-brew; loose shou needs the rinse and shorter steeps.
- Shou pu-erh brick
The same ripe pu-erh in brick and cake form. Compression density affects ageing rate, not quality, and bricks are usually pressed harder.
- Sheng pu-erh (raw)
Ripe pu-erh is the low-risk introduction to the category: predictable, cheap, and free of the storage and age questions that make raw pu-erh hard to buy well.
Similar sensory profile
Shares controlled flavour, aroma and mouthfeel descriptors. A looser match — two teas can share descriptors and still taste nothing alike.
- Shou pu-erh (ripe)
Shares 8 descriptors with Menghai shou pu-erh: earthy, woody, sweet, chocolate, full bodied, smooth, rich and caramelised.
- Aged white tea cake
Shares 7 descriptors with Menghai shou pu-erh: sweet, woody, earthy, full bodied, rich, smooth and caramelised.
- Qian Liang Cha
Shares 7 descriptors with Menghai shou pu-erh: woody, sweet, earthy, full bodied, rich, smooth and caramelised.
- Aged Liu Bao
Shares 6 descriptors with Menghai shou pu-erh: woody, sweet, earthy, full bodied, rich and caramelised.
- Aged Shou Mei
Shares 6 descriptors with Menghai shou pu-erh: sweet, woody, full bodied, smooth, rich and caramelised.
Written comparisons
Where TeaHQ has set this tea against another in full, rather than deriving the comparison. Each one is a written page with the points of difference argued out.
- Gong Ting, standard shou, and tea heads — Three ripe pu-erhs from the same process at three prices, sorted by what the leaf physically is. The price ladder describes particle size and scarcity, and reading it as a quality ladder gets the most interesting one of the three backwards. Put the two side by side
Journeys featuring this tea
- Discover aged tea — Someone curious about tea that is meant to be kept rather than drunk fresh.