Fukamushicha
Sencha steamed for up to two minutes rather than the usual thirty seconds. The long steam breaks the leaf down considerably, producing a cloudy, deep green, full-bodied cup with much less aroma and much more weight — a deliberate trade rather than a defect.
Character
Deep green, opaque and thick, with far more body and far less aroma than ordinary sencha. The cloudiness is the point — the fine particles in suspension carry most of what makes the style worth choosing.
- Flavour
- Vegetal, Umami, Creamy
- Aroma
- Marine
- Mouthfeel
- Full bodied, Rich, Smooth
- Complexity
- Moderate
- Notes
- steamed spinach, cream, sweet grass
- Aftertaste
- Thick and savoury, with little drying.
Moderate intensity: noticeable weight or grip, but neither dominates the cup.
Provenance and production
- Origin
- Japan
- Region
- Shizuoka, Chiran, Kakegawa, Makinohara
- Cultivar
- Yabukita
- Oxidation
- Unoxidised
- Harvest
- Spring
- Processing
- Steaming (Japanese fixation) → Rolling and shaping → Drying
Where it grows
The districts recorded against this tea, all of them in Japan. Elevation is given as the band the district is recorded at, not a measurement of the garden this leaf came from.
- Shizuoka — 20–800 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
- Chiran — 50–400 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
- Kakegawa — 30–300 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
- Makinohara — 40–200 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it. A low plateau. Its significance is the flat, unshaded exposure rather than height.
The plants it is made from
Cultivar is the level below the variety group: a named selection of the tea plant, propagated as clones from one parent. Most consumer writing stops at the country and the category, which leaves out the layer that decides how the leaf behaves before anyone picks it.
- Yabukita — Camellia sinensis var. sinensis
Balanced rather than distinctive: a dependable base for sencha, which is precisely why it was planted so widely.
How it is made, in order
Read top to bottom: the list is the production sequence, and the sequence is what makes this tea its category rather than a neighbouring one. The same leaf from the same bush becomes a green tea or a black tea depending on where the heat falls relative to the bruising, so reordering these steps would not vary the tea — it would produce a different one.
- 1. Steaming (Japanese fixation) — Denatures polyphenol oxidase using saturated steam, arresting oxidation without applying dry contact heat to the leaf surface.
- 2. Rolling and shaping — Ruptures cell walls to expose leaf juices, and forms the leaf into the shape it will hold through drying and storage.
- 3. Drying — Reduces residual moisture to a level at which enzymatic, microbial and oxidative change effectively stops, stabilising the leaf for storage.
The route it is made by
The steps above are what happens; this is the named production route they belong to, with the other teas made the same way.
- Japanese steamed green tea — Fixation by steam within hours of plucking, then a rolling sequence that dries and shapes at once — and then a second factory that turns one intake into four named teas.
Where it is practised: Almost all Japanese green tea. Also the route for Chinese steamed greens such as Enshi Yu Lu, which use the same fixation and none of the refining tail.
What its chemistry turns on
Every true tea contains caffeine, catechins and amino acids, so listing them would say nothing about this one. What differs is what the processing above does to them — and that is the same list of steps, read for its chemistry instead of its craft.
The compounds that substantially decide what this tea is: Dimethyl sulfide.
- Steaming (Japanese fixation)
- creates Dimethyl sulfide
- lowers Green-leaf volatiles
- locks Chlorophyll
- locks EGCG (epigallocatechin gallate)
- Rolling and shaping
- converts Leaf lipids
- creates Theaflavins
- raises Pectins
- Drying
- creates Strecker aldehydes
- raises Beta-damascenone
- raises Thearubigins
These are statements about the leaf and the cup. What any of these compounds does in a body is a different kind of question and is not answered here or on the pages linked from it.
History
Deep steaming was developed in the mid-twentieth century, particularly in Shizuoka, to make thicker-leaved lowland tea palatable. It is a processing answer to an agricultural problem and now defines a regional style.
TeaHQ synthesis — TeaHQ's own reading of well-attested general knowledge, with no single source behind it.
Brewing
Western brewing (teapot or mug)
1.5–2.5 g/100 ml · 65–75 °C · 1 authored infusion
Needs: Western teapot
Kyusu brewing (Japanese style)
3–5 g/100 ml · 65–75 °C · 3 authored infusions
Needs: Kyusu
Gongfu brewing (gaiwan)
3–4 g/100 ml · 75–85 °C · 4 authored infusions
Needs: Gaiwan
Flash-chilled iced tea
2.5–4 g/100 ml · 75–85 °C · 1 authored infusion
Needs: Glass teapot
Cold brew tea
1.5–2.5 g/100 ml · 3–8 °C · 1 authored infusion
Needs: Glass teapot
Ice steeping (kōridashi)
4–6 g/100 ml · 0–5 °C · 1 authored infusion
Needs: Shiboridashi, Glass teapot, Houhin
No caffeine estimate is authored for this tea. TeaHQ does not infer one from its category, because category predicts caffeine poorly — matcha and gyokuro carry more than many black teas.
Vessels this tea suits
Recorded against the tea rather than against a brewing style, because the vessel does not always follow from the method — a whisk needs lateral room whatever the schedule says, and compressed leaf needs a pick before any method applies at all.
- Kyusu — Deep-steamed leaf breaks down to fine particles that clog a basket infuser. A kyusu’s wide integral filter is what makes the style practical.
- Kyusu filter — Deep steaming breaks the leaf down until the cup is opaque, which needs all the filtration area a pot can offer.
Common mistakes
- Reading the cloudy liquor as a fault or as bad filtering
When the cup goes wrong
Written against green tea as a category rather than against this tea in particular, and worked back from the symptom to the likely causes in order. 37 apply to the category; the first 6 are shown.
- I bought a big bag to save money and it was stale before I finished it — A large quantity bought at a good unit price faded well before it was drunk, so the saving turned into waste.
- I bought a water filter for my tea and it changed nothing — A filter jug or tap filter was bought specifically to improve the tea, and the cup tastes the same as it did before — with the same dullness, the same film and the same scale in the kettle.
- I have too many teas open and most of them are going stale — A dozen or more packets are open at once, three or four get drunk regularly, and the rest fade quietly on the shelf until they are thrown away.
- Leaves stick to the cup, the pot and my teeth — Fine leaf clings to the inside of the vessel, comes through into the cup, and ends up in the last mouthful.
- My bamboo whisk is losing tines — Fine bamboo tines snap off during whisking and turn up in the bowl, and the whisk feels stiff and splayed.
- My cold brew tastes like faintly flavoured water — After a night in the fridge the jug is pale and tastes of very little, with none of the sweetness cold brewing is supposed to give.
If you like this
Grouped by why they were suggested, strongest reason first. Nothing here is a blended score — a suggestion appears under the best reason that exists for it, and never under a weaker one as well.
Editorially linked
Someone wrote down why these two belong together. The note below is theirs.
- Chumushi sencha
The far end of the same axis. Cloudy, thick and fast-extracting, with the top notes traded for body.
- Asamushi sencha
Opposite ends of the steaming axis, and the difference in the cup is dramatic. Cloudy dark liquor is not a sign of quality, it is a sign of deep steaming.
Similar sensory profile
Shares controlled flavour, aroma and mouthfeel descriptors. A looser match — two teas can share descriptors and still taste nothing alike.
- Gyokuro
Shares 6 descriptors with Fukamushicha: umami, vegetal, creamy, full bodied, rich and marine.
- Matcha
Shares 6 descriptors with Fukamushicha: umami, vegetal, creamy, full bodied, rich and marine.
- Laoshan green tea
Shares 5 descriptors with Fukamushicha: vegetal, umami, full bodied, smooth and rich.
- Matcha koicha grade
Shares 5 descriptors with Fukamushicha: umami, creamy, full bodied, rich and marine.
- Matcha usucha grade
Shares 5 descriptors with Fukamushicha: umami, vegetal, creamy, smooth and marine.
- Tencha
Shares 5 descriptors with Fukamushicha: umami, vegetal, creamy, smooth and marine.
Written comparisons
Where TeaHQ has set this tea against another in full, rather than deriving the comparison. Each one is a written page with the points of difference argued out.
- Asamushi vs chumushi vs fukamushi — How many seconds the leaf spent in steam, which decides whether the cup is clear and aromatic or cloudy and thick. Cloudiness in Japanese green tea is one of the most misread signals in tea: here it is the deliberate product of the steaming choice. Put the two side by side