Bi Tan Piao Xue
A Sichuan jasmine green tea in which the jasmine blossoms are deliberately left in the finished tea, contrary to the Fujian convention of screening them out. It is a regional style rather than a shortcut, and the flowers here are chosen for appearance as part of the product.
Character
Strongly jasmine, over a soft Sichuan green base. The visible flowers are the regional signature rather than a sign of poor scenting.
- Flavour
- Floral, Sweet, Grassy
- Aroma
- Jasmine like
- Mouthfeel
- Light, Silky
- Complexity
- Moderate
- Notes
- jasmine, fresh grass, honey
- Aftertaste
- Floral and clean.
Moderate intensity: noticeable weight or grip, but neither dominates the cup.
Provenance and production
- Origin
- China
- Region
- Emei Mountain
- Cultivar
- Not applicable
- Oxidation
- Unoxidised
- Harvest
- Spring
- Processing
- Kill-green (fixation) → Rolling and shaping → Drying → Scenting
Authenticity: Elsewhere in China visible jasmine flowers usually indicate decoration over weak scenting. In this specific Sichuan style they are intentional, which is why the general rule needs the exception stated.
Where it grows
The districts recorded against this tea, all of them in China. Elevation is given as the band the district is recorded at, not a measurement of the garden this leaf came from.
- Emei Mountain — 600–1500 metres
How firm this is: Inferred from general knowledge of the district rather than measured or taken from a source that states it.
How it is made, in order
Read top to bottom: the list is the production sequence, and the sequence is what makes this tea its category rather than a neighbouring one. The same leaf from the same bush becomes a green tea or a black tea depending on where the heat falls relative to the bruising, so reordering these steps would not vary the tea — it would produce a different one.
- 1. Kill-green (fixation) — Denatures polyphenol oxidase and related enzymes, arresting enzymatic oxidation.
- 2. Rolling and shaping — Ruptures cell walls to expose leaf juices, and forms the leaf into the shape it will hold through drying and storage.
- 3. Drying — Reduces residual moisture to a level at which enzymatic, microbial and oxidative change effectively stops, stabilising the leaf for storage.
- 4. Scenting — Transfers floral volatiles into the leaf by repeated contact with fresh blossom, without leaving the blossom in the product.
The route it is made by
The steps above are what happens; this is the named production route they belong to, with the other teas made the same way.
- Jasmine-scented green tea — A finished green tea re-enters the factory in the flowering season and goes round a loop — layer with fresh blossom, screen it out, re-dry — as many as nine times.
Where it is practised: Fujian above all, with Guangxi and Sichuan also producing at scale. The base tea and the flowers frequently come from different provinces, which is why the trade is organised around moving finished tea to where the jasmine is.
What its chemistry turns on
Every true tea contains caffeine, catechins and amino acids, so listing them would say nothing about this one. What differs is what the processing above does to them — and that is the same list of steps, read for its chemistry instead of its craft.
- Kill-green (fixation)
- locks 2-Phenylethanol
- locks Anthocyanins
- locks Catechins
- locks cis-3-Hexenol
- locks Green-leaf volatiles
- locks L-theanine
- locks Leaf lipids
- locks Methylated catechins
- locks Theogallin
- Rolling and shaping
- converts Leaf lipids
- creates Theaflavins
- raises Pectins
- Drying
- creates Strecker aldehydes
- raises Beta-damascenone
- raises Thearubigins
- Scenting
- raises 2-Phenylethanol
- raises Indole
- raises Jasmine lactone
These are statements about the leaf and the cup. What any of these compounds does in a body is a different kind of question and is not answered here or on the pages linked from it.
History
A Sichuan jasmine style established in the twentieth century, and the notable exception to the Fujian convention of screening spent flowers out. Leaving them in is a deliberate regional presentation rather than a shortcut.
TeaHQ synthesis — TeaHQ's own reading of well-attested general knowledge, with no single source behind it.
Brewing
Western brewing (teapot or mug)
1.5–2.5 g/100 ml · 80–90 °C · 1 authored infusion
Needs: Western teapot
Gongfu brewing (gaiwan)
3–4 g/100 ml · 75–85 °C · 4 authored infusions
Needs: Gaiwan
Grandpa style
0.6–1.2 g/100 ml · 78–88 °C · 1 authored infusion
No caffeine estimate is authored for this tea. TeaHQ does not infer one from its category, because category predicts caffeine poorly — matcha and gyokuro carry more than many black teas.
When the cup goes wrong
Written against green tea as a category rather than against this tea in particular, and worked back from the symptom to the likely causes in order. 37 apply to the category; the first 6 are shown.
- I bought a big bag to save money and it was stale before I finished it — A large quantity bought at a good unit price faded well before it was drunk, so the saving turned into waste.
- I bought a water filter for my tea and it changed nothing — A filter jug or tap filter was bought specifically to improve the tea, and the cup tastes the same as it did before — with the same dullness, the same film and the same scale in the kettle.
- I have too many teas open and most of them are going stale — A dozen or more packets are open at once, three or four get drunk regularly, and the rest fade quietly on the shelf until they are thrown away.
- Leaves stick to the cup, the pot and my teeth — Fine leaf clings to the inside of the vessel, comes through into the cup, and ends up in the last mouthful.
- My bamboo whisk is losing tines — Fine bamboo tines snap off during whisking and turn up in the bowl, and the whisk feels stiff and splayed.
- My cold brew tastes like faintly flavoured water — After a night in the fridge the jug is pale and tastes of very little, with none of the sweetness cold brewing is supposed to give.
If you like this
Grouped by why they were suggested, strongest reason first. Nothing here is a blended score — a suggestion appears under the best reason that exists for it, and never under a weaker one as well.
Editorially linked
Someone wrote down why these two belong together. The note below is theirs.
- Jasmine dragon pearl
Fujian scenting with the flowers removed, then the Sichuan style that leaves them in. The general rule about visible flowers has this one real exception.
- Jasmine green tea
Two jasmine greens with opposite conventions on whether the flowers stay in the finished tea.
Similar sensory profile
Shares controlled flavour, aroma and mouthfeel descriptors. A looser match — two teas can share descriptors and still taste nothing alike.
- Jasmine Silver Needle
Shares 5 descriptors with Bi Tan Piao Xue: floral, sweet, light, silky and jasmine like.
- Wenshan Baozhong
Shares 5 descriptors with Bi Tan Piao Xue: floral, sweet, grassy, light and silky.
- Wenzhou Huang Tang
Shares 5 descriptors with Bi Tan Piao Xue: sweet, floral, grassy, light and silky.
- Bai Hao Yin Zhen (Silver Needle)
Shares 4 descriptors with Bi Tan Piao Xue: sweet, floral, light and silky.
- Bai Ji Guan
Shares 4 descriptors with Bi Tan Piao Xue: sweet, floral, light and silky.
- Bi Luo Chun
Shares 4 descriptors with Bi Tan Piao Xue: floral, sweet, light and silky.
Where this tea is drunk
Documented practices that name this tea. Each page describes what is done and by whom, and separates what is recorded from what is repeated.
- Beijing bowl tea and the northern tea house — Coarse tea sold by the bowl at a street stall for the price of nothing, jasmine-scented tea as the northern default, and a tea-house form whose selling point is the stage rather than the leaf.
Journeys featuring this tea
- Exploring scented tea — Someone who likes jasmine tea and suspects there is more to it than one product.